Music and Acoustics · sound

Sound Levels & Decibels

Pick two sounds, put them at any distance, and see what they actually come to — together, and against everything else.
20 µPa reference
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Region Global. Decibels, the 20 microPascal reference and the inverse square law are the same everywhere. The exposure limit is not: 85 dB(A) over eight hours with a 3 dB exchange is the ISO and EU rule, while US OSHA uses 90 dB(A) with a 5 dB exchange, which is markedly more permissive at high levels.

Two sounds

point source

Sound A

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Sound B

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How the sound spreads

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The scale

Where those land against everything else

every 10 dB is about twice as loud
Distance

What walking away buys you

Your microphone

Measure the room you are in

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— dB

The microphone is not opened until you press that button. When you do, the audio is analysed in this page frame by frame and thrown away: nothing is recorded, nothing is stored, and there is no upload in this tool to send it to. Stopping releases the microphone immediately, and the permission stays yours to revoke.

This is not a calibrated sound level meter, and a browser cannot make one. The browser hands the page a normalised sample stream from a microphone whose sensitivity it never states, usually behind automatic gain control that cannot reliably be turned off. There is no pascal figure to compare against 20 µPa, so there is no honest absolute reading. Differences are real — if the number drops 6 dB when you walk twice as far away, that is a true 6 dB — so it is shown relative to full scale (dBFS), and you can set the offset yourself if you have a real meter to match it against.
How it works

Why almost every decibel intuition is wrong

A ratio on a log scale

A decibel is a ratio against a reference about as quiet as the faintest sound a young ear can hear: 20 micropascals. Three unfamiliar ideas at once.

They do not add

Unrelated sounds add by energy, not pressure, and doubling energy is 3 dB: 60 dB plus 60 dB is 63, not 120.

Distance

6 dB per doubling from a point source, which spreads over a sphere; 3 dB from a line of traffic, which spreads over a cylinder.

Time allowed

85 dB(A) for eight hours under ISO and the EU, halving every 3 dB. The US OSHA rule halves every 5.

Worked example. How long is it safe for, under the ISO and EU rule (85 dB(A) for eight hours, halving for every 3 dB above it, because 3 dB is twice the energy). Bars share one scale of eight hours. The American OSHA rule uses a 5 dB exchange instead, which is markedly more permissive at high levels: the same 100 dB buys two hours rather than fifteen minutes. The physics did not change; the rule did.
Field notes

Things worth carrying around

0.4 dB

The loudest thing is the whole answer

A source 10 dB below another adds 0.4 dB to it; 20 dB below adds 0.04. In any room, fixing anything other than the loudest thing changes a number nobody can hear: the single most useful consequence of the unit, and why silencing the second-loudest machine on a factory floor changes almost nothing.

110 → 90dB

Always ask “at what distance?”

A level without a distance is meaningless, and most quoted figures quietly assume one metre. “A chainsaw is 110 dB” means at the handle; at ten metres it is 90, and across a field it is conversation.

6 vs 3dB per doubling

Roads break the inverse square law

Doubling your distance from a point buys 6 dB; from a line of traffic it buys 3. That is why moving twice as far from a motorway is so disappointing, and why the last few metres near a drill matter more than the last few hundred near a road. Ten times the distance is 20 dB from a point source and 10 from a line.

90%of the power

Twice as loud costs ten times the energy

About 10 dB sounds twice as loud, a perceptual rule of thumb, and 10 dB is a factor of ten in sound power. Halving the perceived loudness of a machine means removing ninety per cent of what it emits, which is why quiet is expensive and 3 dB improvements are the ones actually on offer.

3 dB is the smallest change you would notice

In a lab, on a steady tone, about 1 dB is detectable. In a real room 3 dB is the practical figure, exactly what you get from switching off one of two identical machines.

The exchange rate is a policy, not a physics

ISO and the EU halve the allowed time every 3 dB, because 3 dB is twice the energy. US OSHA halves it every 5. At 100 dB that is fifteen minutes against two hours, for the same sound.

Questions

What people ask

Do two 60 dB sounds make 120 dB?

They make 63. Unrelated sounds do not line their pressure peaks up, so their energies add rather than their pressures, and doubling the energy is always 3 dB. It follows that a sound 10 dB quieter than another adds 0.4 dB to it — in any room the loudest thing is very nearly the whole answer.

How much quieter is it at twice the distance?

6 dB from a point source, because the sound spreads over a sphere. Only 3 dB from a road, because a line of traffic spreads over a cylinder instead. That is the commonest error in everyday noise arithmetic, and it is why moving twice as far from a motorway disappoints.

How long is 100 dB safe for?

Fifteen minutes under the ISO and EU rule — 85 dB(A) for eight hours, halving for every 3 dB above it, because 3 dB is twice the energy. Two hours under the US OSHA rule, which halves every 5 dB instead. The physics did not change between them; the policy did.

Is 10 dB twice as loud?

About that, perceptually — and it is a factor of ten in sound power. Halving the perceived loudness of a machine means removing ninety per cent of what it emits, which is why quiet is expensive and why 3 dB improvements are the ones actually on offer.

Version history · site-wide passes only

This page has changed in 114 archived releases, but each of those was a site-wide pass, so none is attributable to this tool on its own and none is listed here. That is not a claim that the tool never changed — a release that reworked many pages at once may well have altered this one too. The changelog has them.

Free-field arithmetic. Levels spread as if nothing were in the way: this page does not model reflections, room reverberation, barriers, ground effect, air absorption, wind or temperature gradients. Indoors, reflected sound stops the fall with distance entirely once you are past a metre or two, so a real room is always louder than this says. Source levels are typical published figures for the named thing, not measurements of yours, and the A-weighting that makes dB(A) is assumed rather than applied.

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